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​​Evolving from a doctoral dissertation into an ambitious, highly experimental hybrid work, Spolia explores trauma, memory, and spatial displacement across a complex, multi-tiered architecture. The manuscript opens in Part 1 with a grounded, non-linear autofiction documenting a voyage through contemporary Turkey, before shifting into Part 2’s speculative, interventionalist landscape—where the narrative's central motifs undergo surreal transformations through talking, broken sculptures and the hauntological afterlives of the Ephesian brothels. Part 3 gathers these conceptual threads into a series of paratactic, darkly humorous islands composed of myth, instructional how-tos, and linguistic artifacts inspired by the 14th-century Codex Cumanicus. To complement this textual matrix, the book integrates a custom deck of literary cards featuring original hand-painted images; moving beyond traditional tarot, these multimodal cards align characters, scientific equations, psychosocial theories, and philosophical frameworks into an interactive storytelling engine that readers can actively deploy alongside the prose.

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From the award-winning author of The Arc and the Sediment  (Utah State University Press 2007). 

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Comments on Spolia


From Dr. Lezlie Frye, Professor of Gender & Disability Studies at  University of Utah​

"From a disability-studies perspective, this is what I would call a deeply disorienting text in the most pleasurable and generative sense…. You have successfully troubled the distinctions of genre and narrative form…and you’ve employed a very productive practice of plurivocality in intertextual references that seems to embody the critical practice of cripping in multiple arenas—politically, linguistically, and with literary conventions, just to name a few. You really actively narrated marginalized experiences or states in ways that speak to important identitarian questions but also to questions of place and time as anchors of those experiences. And it’s just so incredibly poetic and clever and well-written—an impressive opus.… This work is a live object and an organic process rather than a fixed destination or a product, and it seems to resist consumption in a way that I find really exciting…. I see your work as actually extending this theoretical tradition of cripping, not just performing it, in your commitment to what you call the fragmented over the coherent, adaptation over meme-ing, and confluence over voice."

 

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From Professor of English Helena María Viramontes at Cornell University

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“What a remarkable experience to read this… It’s incredibly inspired and inspiring…and talk about originality!”

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ASKI KATASKI LIX TETRAX DAMNAMENEUS AISION

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